Wednesday, January 16, 2013
The story here starts off in 2011 with a sister and her brother, Grace and Andrew, sharing a home in London. They divide the living space of the house equally, a situation which works fine until the brother's lover, James, comes to live with them. James sets off a series of events that neither Grace nor Andrew will ever recover from. While coping, Grace begins reading a long-lost manuscript, never published because its storyline includes unwed mothers and homosexual characters in the 1920s. That's when a completely different part of the story takes over. Or at least we THINK it's different...because it is set in the post-WWI era. Soon, correlations between Grace's modern-day dilemmas and the historical plot become evident.
The historical storyline revolves around a sister, Maud, the youngest child in a very conservative Bristol family, who gets herself pregnant. After telling her family, they want to send her away. But, her brother John has a different idea. He is homosexual and aware that he will never be able to lead a respectable life as a gay man, so he and Maud begin living together as husband and wife...in name only...so that the child does not seem illegitimate.
Both storylines are interesting and compelling but the historical one just captivates the reader with twists and turns that the reader never expects (or at least I didn't). I found both tales together a great commentary on how things regarding sexuality and homosexuality have changed...yet how some things have stayed the same through the centuries.
Friday, January 4, 2013
Anne Tyler once again captures the heart and soul of someone going through a trying time. This time, it's Aaron...who lives an unremarkable life with an unremarkable woman...Dorothy. But, after Dorothy's sudden death, Aaron's period of adjustment offers more than just grief and depression. He simply cannot let Dorothy go. This is a touching, sweet book that is filled with heart and emotion. I found myself laughing at Aaron more than once...whether this was intentional humor on Tyler's part... just the sad-sack, vulnerable ways of Aaron manifesting themselves as comic moments I do not know. I would like to think that Tyler wanted us to laugh at him a little...so he and her reader's would try and take life a little less seriously. Tyler, who is known for her engaging and emotive character studies, really captures the soul of this wayward man. I would be hard pressed to say it is Tyler's best work but it is one of her best.